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DTSTART;TZID=America/Halifax:20221117T190000
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DTSTAMP:20260418T185039
CREATED:20221102T124314Z
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SUMMARY:CLIFF: Canadian Labour International Film Festival with Mayworks
DESCRIPTION:Mayworks Kjipuktuk/Halifax Festival of Working People in the Arts is proud to partner once again with the Canadian Labour International Film Festival for a satellite screening of films from their 16th annual festival. The screening takes place November 17\, 2022\, at the Bus Stop Theatre Co-op. \nThis year we are screening If There is No Struggle (United States) by Jared Katriane\, See Us Come Together (Philippines) by Alyssa Suico\, What Will I Show You? (Canada) by Elie-John Joseph\, Opera Trans*formed (Canada) by Leah Borts-Kuperman & Maria Sarrouh\, The Unmaking of Medical Inadmissibility (Canada) by Laura Bisaillon\, & Kellys (Spain) by Javier Fesser. The screening lasts 62 minutes. \nAdmission by donation. \nTHE FILMS: \nIf There is No Struggle (United States) by Jared Katriane\nA young woman discovers the working class history of her neighbourhood through the lens of a 1965 Canon Scoopic 16mm camera and historical figures via Boston’s public art. She begins an important conversation that needs to continue in the labour movement given the overwhelming right wing ideology and misinformation being spread targeting working class folks.\nThe film title comes from an 1857 Frederick Douglass speech: “If there is no struggle\, there is no progress. Those who profess to favor freedom\, and yet depreciate agitation\, are men who want crops without plowing up the ground. They want rain without thunder and lightning. They want the ocean without the awful roar of its many waters. This struggle may be a moral one; or it may be a physical one; or it may be both moral and physical; but it must be a struggle. Power concedes nothing without a demand. It never did and it never will.” \nSee Us Come Together (Philippines) by Alyssa Suico\nSee Us Come Together is an amateur documentary following the members of the Optodev Workers Union\, tracing their story of forming their union before and during the COVID-19 pandemic.\nWhen factories were forced to close operations due to the COVID-19 pandemic in 2020\, an ophthalmic lens workers’ union ensured mechanisms to protect their workers\, with the ultimate goal of changing the culture of labour in their factory. The documentary brings to focus what is essential to keep a country running in times of crisis. While the pandemic turned the spotlight on essential and frontline workers\, what was essential to the workers of Optodev was their union.\nSubtitled in ENGLISH \nWhat Will I Show You? (Canada) by Elie-John Joseph\nIn the tradition of direct cinema\, What Will I Show You is an intimate documentary in which a grandfather and his grandson discuss the past and future of Innu culture. An important\, first-person film telling the stories of Innu and their culture\, their work\, and the immediate impacts of environmental degradation on their lands.\nThemes of Indigenous learning\, work and way of life. From the Innu nation and residing in the Tiohtià:ke territory since 2006\, Elie-John Joseph has been passionate about cinema since a young age. Self-taught\, he has been practising film photography for several years. \nOpera Trans*formed (Canada) by Leah Borts-Kuperman & Maria Sarrouh\n“If I wasn’t an opera singer\, would I be a trans man?” asks Teiya Kasahara\, a gender non-binary singer\, partway through the film. It’s a dilemma facing gender non-binary and trans singers working in a field whose roles are rigidly defined along gender lines: sopranos and mezzos are cast as women (so-called “trouser roles” aside); tenors and basses as men.\nTeiya Kasahara (they/them) leads a new generation of trans* opera performers\, activists and self-proclaimed “shit-disturbers” making their voices heard–whether the classical music world likes it or not. \nThe Unmaking of Medical Inadmissibility (Canada) by Laura Bisaillon\nHave you ever considered the amount of work it takes to immigrate to Canada? Applying to immigrate is a form of labour: it requires time\, effort\, intention\, skill and money. This film about immigration application work tells the stories of Martha\, Winnie and Stella. As prospective immigrants to Canada\, they are tagged as being “abnormal” (to use the state’s term) through the immigration medical examination and therefore face higher barriers and discrimination during the immigration process.\nThemes include the criminalization of HIV\, and a critical look at the idea of “good immigrants.” \nKellys (Spain) by Javier Fesser\nIn this high quality short\, we glimpse a private conversation between two long-time hotel workers and close friends. But there are always things that are hidden\, even from your best friend.\nSubtitled in ENGLISH
URL:https://busstoptheatre.coop/event/cliff-canadian-labour-international-film-festival-with-mayworks/
LOCATION:The Bus Stop Theatre\, 2203 Gottingen Street\, Halifax\, Nova Scotia\, B3K3B5\, Canada
CATEGORIES:Film
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DTSTART;TZID=America/Halifax:20220512T200000
DTEND;TZID=America/Halifax:20220512T200000
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CREATED:20220414T155418Z
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SUMMARY:Intersect
DESCRIPTION:Thursday\, May 12th\, 8:00 PM\nFriday\, May 13th\, 8:00 PM (ASL Interpretation)\nSaturday\, May 14th\, 8:00 PM \nThe Bus Stop Theatre (2203 Gottingen St) + Online Stream (May 18th-20th) (ASL + CC)\n \nMasking is required to attend this event in person\, unless seated and drinking \nBUY TICKETS\n“ritual practice … the process of putting yourself together every day.”\n– Wu Tsang \n8 bodies\, traversing identities through movement. They are a collection of moments – some curated\, some not. They move with care\, with curiosity\, with joy\, with the possibility of failure. An intricate look at the nature of intersectionality and how we construct identity. \nCreated by Liliona Quarmyne in collaboration with: \nCarolin Mateus\nGillian Seaward-Boone\nI’thandi Munro\nJacinte Armstrong\nLeelee Oluwatoyosi Eko Davis\nReequal Smith\nSolène Bernier\nZomi Tombing
URL:https://busstoptheatre.coop/event/intersect/2022-05-12/
LOCATION:The Bus Stop Theatre\, 2203 Gottingen Street\, Halifax\, Nova Scotia\, B3K3B5\, Canada
CATEGORIES:Mayworks Halifax
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BEGIN:VEVENT
DTSTART;TZID=America/Halifax:20220507T210000
DTEND;TZID=America/Halifax:20220507T230000
DTSTAMP:20260418T185039
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LAST-MODIFIED:20220414T173052Z
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SUMMARY:All In: DJ Uncle Fester x Superfluid Collective + Friends
DESCRIPTION:Saturday\, May 7th\, 9:00 PM\nThe Bus Stop Theatre (2203 Gottingen Street) + Online Stream (May 18th-20th) (CC)\n \nDoors open at 8:00 PM \nMasking is required to attend this event in person\, unless seated and drinking \nBUY TICKETS\nThis two part show will blow your socks off! DJ Uncle Fester brings together some of Halifax’ hottest MCs and the amazing Superfluid Collective for a night of great performances and a live off-the-floor recording session of new music. \nPart I: DJ Uncle Fester & Friends\nFeaturing General Khan & Ambeez\, Ghettosocks\, and Aquakultre \nPart II: DJ Uncle Fester x Superfluid Collective\n\nSuperfluid Collective will be DJ Uncle Fester’s live band for a night of new music recorded off-the-floor for a future collaborative album to be released later this year. Be here on the ground level for something special! \nDJ Uncle Fester \n16 year Vet of the Halifax Hip-Hop scene DJ Uncle Fester is always creating. A founding member of the Backburner crew\, Fes has worked on many award winning albums and with artists from all across North America. Recording\, Engineering\, Producing\, DJing\, Beat Making and touring with The Extremities are all ways in which Fes has spread his sound across the map. With all this work already put in and no signs of slowing down\, look for many upcoming projects to come. \nIG: @fester902\nWeb: http://www.djunclefester.com/\nBandcamp: https://djunclefester.bandcamp.com/\nMore Music on: http://blackbuffalorecords.ca/ \nSuperfluid Collective \nA blend of fusion and urban influences\, Superfluid is a quasi-collective\, multi-dimensional\, poly-genre force of kinetic energy that spins velveteen lyrics across smooth grooves\, silk Rhodes\, and soulful guitars. On spaceship earth\, energy is neither created nor destroyed\, it simply changes form. This is true for individuals that make up Superfluid Collective. Ranging from Bengali\, Iranian\, Pubjabi M’ikMa’ki\, English\, Irish and Canadian backgrounds\, the group has come together through a shared thirst for Olands and basement jams. The group’s experience of immigration is paralleled by their vagabond work ethic\, moving between Nova Scotia and New Brunswick for shows. A quintessential festival band\, Superfluid is best experienced live. \nWeb: https://www.superfluidmusic.com/
URL:https://busstoptheatre.coop/event/all-in-dj-uncle-fester-x-superfluid-collective-friends/
LOCATION:The Bus Stop Theatre\, 2203 Gottingen Street\, Halifax\, Nova Scotia\, B3K3B5\, Canada
CATEGORIES:Mayworks Halifax
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BEGIN:VEVENT
DTSTART;TZID=America/Halifax:20191112T190000
DTEND;TZID=America/Halifax:20191112T210000
DTSTAMP:20260418T185039
CREATED:20191028T224255Z
LAST-MODIFIED:20191106T141941Z
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SUMMARY:2019 CLiFF Movie Night
DESCRIPTION:Since 2009\, CLIFF has been screening films about workers\, the conditions under which they live and work\, and related social justice issues\, in over 130 locations across Canada. \nAdmission: Pay What You Will – FREE popcorn! \nThe Halifax screening will feature five international short films celebrating workers.\nThe total run time of the event is 55 minutes. The screening will be followed by a short open discussion. \n  \nFILM PROGRAM\n \nAzadeh\n9.5 min drama from Iran and Director Mirabbas Khosravinezhad\nAzadeh\, a young girl living in a small village with her family\, wants\ngo to city to visit her father\, but her mother and brother won’t allow\nit… \n\nA Radiant Sphere\n9.5 min documentary from Canada and Director Sara Wylie\nThe filmmaker discovers a long lost family member\, the Canadian Communist poet and political prisoner\, Joe Wallace. Her research journey reveals his fascinating life and work\, and some surprising things they share in common. \n\n \nThe Glasgow Women Strike\n11 min documentary from Switzerland and Directors Leo David Hyde and Nathalie Berger. After decades of earning less than their male counterparts\, Glasgow’s female cooks\, cleaners and caregivers launch the biggest Equal Pay Strike in UK History.\n\n\n\n24-Hour Workday\n14.5 min documentary from the US and Director Zishun Ning\nHome care workers are forced to work grueling 24-hour shifts taking care of seriously-ill patients\, with only half of the pay. When they try to fight back through legislative means\, they meet obstacles from the State government which tries to legalize such inhumane practice.\n\n\n\nZero\n9 min drama from Spain and Director David Macian Montesinos\nOnce upon a time\, there was a town where nobody drank Coca-cola…
URL:https://busstoptheatre.coop/event/2019-cliff-movie-night/
LOCATION:The Bus Stop Theatre\, 2203 Gottingen Street\, Halifax\, Nova Scotia\, B3K3B5\, Canada
CATEGORIES:Film
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BEGIN:VEVENT
DTSTART;TZID=America/Halifax:20190601T233000
DTEND;TZID=America/Halifax:20190602T053000
DTSTAMP:20260418T185039
CREATED:20190429T171738Z
LAST-MODIFIED:20190429T171738Z
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SUMMARY:Dance to A New Dawn
DESCRIPTION:Night of June 1st to 2nd – midnight to dawn\n*Dry Event* | $5 – $20 sliding scale\n\n  \n5 Epic DJ’s will take us all on a journey through space\, time\, and sound as we celebrate revolutionary arts and culture and dance the night away as a community.  Complementing the music will be stunning and politicized murals\, graphics\, and video-streams creating a visually transformed Bus Stop that merges the vibes of a music festival with a political movement in the most enticing way. There is nowhere better to spend the first 6 hours of your Sunday June 2nd than here with us. \n\n\n\n\nDJ Cee.Reality\nCee.Reality is a Toronto-based Producer\, Emcee\, and DJ best known for his work as part of the anarchist hip hop duo Test Their Logik. He’s has been rocking stages as a live act all over the world for over a decade.   In recent years Cee has been turning his attention to rocking the stage behind the decks and mastering his craft on the 1s and 2s. Employing an arsenal of his own beats and heavy\, dark bass filled tracks that range from hip hop\, trap and dubstep\, cee.reality will get the energy up and the dance floor bumping.\n\n\n\nKittyBass\nKittyBass is one of the East Coast dance music scene’s most versatile DJs\, effortlessly switching between styles such as grime\, bassline house\, U.K. garage\, R&B\, and dubstep. She has continued to gain serious momentum over the course of the last year\, playing Valhalla Sound Circus in Montreal\, Future Forest\, and opening for heavy hitters such as Sleevless records’ Stylust Beats\, The Librarian\, Aaron Jackson\, Chuurch\, and many more.\n\n\n\nWobble Wallah\nEastern Canada’s official delegate of trans-continental bass music. The Wobble Wallah is a full power performer; weaving together fire arts\, hand drumming\, and live mixing\, his shows are a borderless exploration into the roots of the human experience. His impeccable taste for sounds both tribal and psychedelic is embroidered by his on-stage energy\, and his relentless onslaught of bold\, beautiful\, brilliant music.\n\n\n\nDJ Fadzwa\nZimbabwe born and raised\, Halifax praised.  DJ Fadzwa is known for spinning killer afrobeat sets with visuals to match.  Fadza recently won Bronze for best DJ at The Coast: Best of Halifax 2017 Awards. Bringing the sounds of the African Diaspora and more\, be prepared to party.\n\n\n\nANANDRA\nFollowing the flow\, cultivating an elemental temple for body\, mind & soul. Anandra is new to DJ’ing\, but no stranger to improvising\, exploring\, and producing within the audio realm. Here to serve.\n\n\n\nFull Festival details at: www.mayworkshalifax.ca
URL:https://busstoptheatre.coop/event/dance-to-a-new-dawn/
LOCATION:The Bus Stop Theatre\, 2203 Gottingen Street\, Halifax\, Nova Scotia\, B3K3B5\, Canada
CATEGORIES:Festival,Mayworks Halifax,Music
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BEGIN:VEVENT
DTSTART;TZID=America/Halifax:20190601T200000
DTEND;TZID=America/Halifax:20190601T233000
DTSTAMP:20260418T185039
CREATED:20190429T171310Z
LAST-MODIFIED:20190429T172000Z
UID:5716-1559419200-1559431800@busstoptheatre.coop
SUMMARY:Hip Hop Vs. Capitalism Vol. 2
DESCRIPTION:Back for a second year in a row\, Hip-hop Vs. Capitalism will be part of Mayworks’ festival mic-drop. Kicking off with a community cypher entitled “Hip-Hop vs. the System”\, followed by a feature set by acclaimed anti-capitalist hip-hop veterans Test Their Logik. \nHip-Hop Vs. The System | A Community Cypher\nCalling all rappers and emcees in the HRM. \nJoin the collective rap-battle vs. the forces that control\, oppress\, and exploit us all.   Bring your best bars and spit truth to power about cops\, jails\, bosses\, banks\, corporate power\, racism\, poverty\, the 1%\, politicians\, colonization\, sexism\, war\, climate change\, etc. \nWe’ve been battling each other too long\, it’s time we unite and battle the system! \nTest Their Logik\nUsing hip-hop to inspire political action and to deliver potent messages of social and environmental justice\, TEST THEIR LOGIK has developed a following among activists and hip-hop heads alike. For over a decade they’ve toured this planet\, supporting social movements and freedom fighters at the front lines of struggles against the tyranny and violence of the powerful\, as well as rocking parties\, festivals\, and stages on every continent. Their most recent album “BE” was well-received on campus radio across Canada\, staying in the the top 10 on the hip-hop charts Nationally for 10 weeks straight and hitting #1 at various stations across North America. They are currently working on their third full-length Album “See”. \nHosted by DJ 5Rivers & DJ Tranzish(ə)n\n\n\n\n\nDJ 5Rivers has a deep rooted love for music\, dance and community. They are passionate about issues of environmental justice\, social justice\, gender equity all while focusing on the intersections of gender\, race and class.\n\n\n\nDJ Tranzish(ə)n was born and raised in K’jipuktuk as a Maroon descendent. She loves every aspect of music while showing and celebrating her Jamaican roots. DJ TranˈziSH(ə)n brings you through the soundtracks of her daily life. Playing you hot hiphop\, R&B\, Reggae and dancehall tunes from the 90’s to present.\n\n\n\n  \nPresented in partnership with \n \n  \n  \n  \n  \nTickets and full Festival details at: www.mayworkshalifax.ca \n \n 
URL:https://busstoptheatre.coop/event/hip-hop-vs-capitalism-vol-2/
LOCATION:The Bus Stop Theatre\, 2203 Gottingen Street\, Halifax\, Nova Scotia\, B3K3B5\, Canada
CATEGORIES:Community Events,Festival,Mayworks Halifax,Music,Open Mic
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BEGIN:VEVENT
DTSTART;TZID=America/Halifax:20190529T193000
DTEND;TZID=America/Halifax:20190601T153000
DTSTAMP:20260418T185039
CREATED:20190429T165754Z
LAST-MODIFIED:20190429T165754Z
UID:5710-1559158200-1559403000@busstoptheatre.coop
SUMMARY:A Timed Speed Read of the Triangle Shirtwaist Factory Fire Trial Transcript with Additional Notes
DESCRIPTION:May 29th to 31st | 7:30pm-9:00pm & June 1st | 2:00pm-3:30pm\nPresented by Surplus Production Unit\nIn 1911\, 146 people were killed in a fire at the factory of the Triangle Waist Company in New York. The highly contentious trial that followed  spurred the public to demand workplace safety reforms and became a touchstone for radical and progressive political movements. At the time\, people swore that the victims and the fire would never be forgotten. \nThree actors – from another country and century – are tasked with reading from the massive trial transcript as quickly as possible. Despite the  speed\, they must communicate the key points and central conflicts\, while giving insight into the 1911 events and their resonance with the world of today. Can they beat their best time? Can they surprise us? Can they help us remember? \nConceived by Alex McLean\nwith (alphabetically) Chun Shing Au\, Zach Faye\, Carmen Lee\, Kat McCormack\, Briony Merritt\, Lily Ross-Millard and Richie Wilcox \nStarring: Kat McCormack\, Briony Merritt and Richie Wilcox \nSet/prop design: Chun Shing Au\, Kai On Kerwin Lam and Carmen Lee\nDirection and Script (from verbatim sources): Alex McLean\nPreliminary Research: Myrto Koumarianos \n**Sign language interpretation will be provided during the May 30th presentation. \n   \nTickets and full Festival details available at: www.mayworkshalifax.ca
URL:https://busstoptheatre.coop/event/a-timed-speed-read-of-the-triangle-shirtwaist-factory-fire-trial-transcript-with-additional-notes/
LOCATION:The Bus Stop Theatre\, 2203 Gottingen Street\, Halifax\, Nova Scotia\, B3K3B5\, Canada
CATEGORIES:Festival,Mayworks Halifax,Theatre
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BEGIN:VEVENT
DTSTART;TZID=America/Halifax:20190528T193000
DTEND;TZID=America/Halifax:20190528T193000
DTSTAMP:20260418T185039
CREATED:20190429T165144Z
LAST-MODIFIED:20190429T165144Z
UID:5707-1559071800-1559071800@busstoptheatre.coop
SUMMARY:Meso América Resiste!
DESCRIPTION:Presented by the Beehive Design Collective\nCome see a mural-sized pen and ink masterpiece that took over nine years to create!\nThe Beehive Design Collective works as word-to-image translators of complex global stories\, shared with us through conversations with affected communities. MesoAmérica Resiste covers resistance to large-scale infrastructure development throughout Southern Mexico and Central America\, touching on themes relevant to any community on the front lines of resistance to corporate globalization. \nThis interactive presentation will feature spoken word rhymes by MC Testament of Test Their Logik. \n**Sign language interpretation provided. \nFull Festival details available at: www.mayworkshalifax.ca
URL:https://busstoptheatre.coop/event/meso-america-resiste/
LOCATION:The Bus Stop Theatre\, 2203 Gottingen Street\, Halifax\, Nova Scotia\, B3K3B5\, Canada
CATEGORIES:Festival,Mayworks Halifax,Meetings & Workshops,Spoken Word,Visual Arts
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BEGIN:VEVENT
DTSTART;TZID=America/Halifax:20190526T193000
DTEND;TZID=America/Halifax:20190526T213000
DTSTAMP:20260418T185039
CREATED:20190429T162415Z
LAST-MODIFIED:20190429T163555Z
UID:5698-1558899000-1558906200@busstoptheatre.coop
SUMMARY:Reel Justice
DESCRIPTION:Our short film program weaves through issues and narratives to present a cinematic collage you won’t find at the Cineplex. \nProgram:\nTotal run time: 90 mins | Followed by a brief Q&A \n \n\n\n\n\nApaja’simk – The Return | Trevor Gould (2018) 11 minsGlooscap’s messenger Marten is sent back to the land of the People to find them\, learn about them\, and to tell Glooscap if he is needed again. This Mi’kmaq language short film was produced through AFCOOP’s Language of Nova Scotia program.\n\n\n\nThe Gottingen Stigma | Ross Andersen & Silas Brown (2018) 10 minsThis short documentary examines the story of how the change of a street name divided the Halifax North End community.\n\n\n\nAlive Day | Paul Vienneau (2016) 3 minsOn the occasion of the 25th anniversary of an injury that took his leg\, first-time filmmaker and accessibility advocate Paul Vienneau reflects on how his injury changed his life and engages in a simple act of kindness to find ward off depression and isolation.\n\n\n\nBoat Harbour & the Mill | Mark Lang (2018) 6 minsAustralian songwriter & visual artist Mark Lang highlights the pollution resulting from the pulp mill at Boat Harbour as a case of environmental racism affecting the nearby Pictou Landing First Nation.\n\n\n\nWe Regret to Inform You… | Eva Colmers & Heidi Janz (2015) 11 minsIn a check-box society that functions by dividing us into neatly-defined categories\, where does someone with a strong mind and a weak body fit in? Dr. Heidi Janz – award-winning playwright\, accomplished academic\, and self-described ‘crip’ – has a curious problem. Despite her obvious physical limitations she is denied financial assistance from government programmes because of her “productive” mind. Following Heidi through her everyday life\, with all its unique responsibilities\, opportunities\, and challenges\, We Regret to Inform You… offers an unsentimental\, and unapologetic\, look at what it means to be both “disabled” and “productive”.\n\n\n\nMissing Women | Anna Quon (2016) 5 minsAnna Quon\, a mobility-impaired\, mixed-race Mad woman living in Dartmouth lifts her poem of the same name through a short animated film highlighting the missing and disappeared voices of women.\n\n\n\nMe Too: From Hashtags to Healing | Avalon Sexual Assault Centre (2018) 6 minsAvalon’s team of expert sexual assault trauma therapists explain the work of healing behind the hashtag.\n\n\n\nGrace | Taylor Olson (2018) 9 minsA young mother with weekend custody struggles with the ambiguity of her child’s safety. Her fear of harm to her daughter\, lack of power\, clarity and surety plague their weekend together.\n\n\n\nDuck Duck Goose | Shelley Thompson (2018) 7 minsWhen hiding for your life becomes a frightening game\, an elementary school teacher and children cope with the fear and guilt created by lockdown.\n(Winner – Best Short – Atlantic Film Festival FIN – 2018)\n\n\n\nL’acteur – Jana Doiron (2018) 6 minsAn actor loses grip with his own identity as he succumbs to an existential crisis in this francophone short produced through AFCOOP’s Languages of Nova Scotia program.\n\n\n\nThug | Daniel Boos (2017) – 15 minsDesperate to land a role\, an aspiring actor takes extreme measures\, risking a close relationship and inciting dramatic repercussions. Thug is a realist fiction film developed by Daniel Boos in collaboration with Simon Mutuyimana\, Emmanuel John\, and Joshua Schlaganweit. The film portrays the cast’s real life struggle to participate in the film industry stereotypes that affect their experience off screen.\n(Winner – Best Short – Atlantic Film Festival FIN – 2017)
URL:https://busstoptheatre.coop/event/reel-justice-2/
LOCATION:The Bus Stop Theatre\, 2203 Gottingen Street\, Halifax\, Nova Scotia\, B3K3B5\, Canada
CATEGORIES:Festival,Film,Mayworks Halifax
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DTSTART;TZID=America/Halifax:20190523T200000
DTEND;TZID=America/Halifax:20190525T210000
DTSTAMP:20260418T185039
CREATED:20190429T161843Z
LAST-MODIFIED:20190429T161843Z
UID:5695-1558641600-1558818000@busstoptheatre.coop
SUMMARY:Mi'kma'ki 2030: Hope and Fire
DESCRIPTION:May 23rd to 25th | 8:00pm-9:00pm\nWhat are the possibilities for Mi’kma’ki? \nIn this dynamic\, multi-disciplinary installation-performance\, indigenous and black artists dream\, hope and create a different way forward for this land. The artists individually and collectively articulate their visions through a provocative sharing of film\, visual art\, music\, word and dance. Hope and Fire invites people of all ages to immerse themselves in the most pressing questions facing our collective existence on this land. \nThe Mi’kma’ki 2030 Collective:\nSarah Brooks is a Textile Artist and Craftsperson. Born and raised in Nova Scotia\, Sarah is inspired by natural elements deriving from the landscapes that surround her within Mi’kma’ki. Always working with her hands\, Sarah chooses to work creatively in as many tactile building ways as possible and is constantly looking at and exploring different avenues through materials\, mediums and methods\, using fabrics\, colours and textures\, weaving\, sewing\, dyeing and screenprint. Sarah continues to build upon her skills and methods and concept ideologies through her studies at NSCAD University\, majoring in the Textiles field with a Minor in Art History and deep interest in Indigenous Studies. \nCatherine Martin is a Mi’kmaq person of the Millbrook community in Truro\, Nova Scotia.  Catherine’s professional and academic interests have been influenced and driven by her passion for the lives and stories of Aboriginal women. As an independent filmmaker\, director\, and writer\, Catherine’s repertoire of work includes the animation film Little Boy Who Lived with Muini’skw (2004)\, and Spirit Wind (2000). In 2006\, Catherine added the NFB online documentary Bringing Annie Mae Home to her accomplishments. Fittingly\, Catherine’s contributions to film\, television\, and digital media in Atlantic Canada were recognized in March 2015 with a WAVE Award from Women in Film and Television Atlantic. Catherine has acted as the past Chairperson of the Board of Directors for Aboriginal Peoples Television Network\, and as the past Chair of the Society for Canadian Artists of Native Ancestry. \nCynthia Martin’s ultimate desire is to celebrate the beauty of nature\, believing it is a gift of peace\, joy and healing from the Spirit of Grace\, Glory and Renewal. She is inspired by the indigenous beauty of Nova Scotia and hopes to reflect it in her work as a Mi’kmaq textile and ceramic artist. Cynthia is a member of the Mi’kmaq First Nation of Millbrook. She has a BFA from NSCAD\, and is currently enrolled in their Visual Arts Certificate Program. \nBria C. Miller was born in Yarmouth\, Nova Scotia. Bria is a Queer\, Black\, Indigenous mixed media visual artist\, arts educator\, musician\, graphic and community facilitator. She participated in Bridging Bus\, connecting with the Washington\, DC chapter of Black Lives Matter and Black Youth Project in 2016. In April of 2018\, she participated in Emergent Strategy Immersion training with Adrienne Maree Brown\, a Black femme author and social justice facilitator in Detroit. These international relationships continue to strengthen and build Bria’s capacity to organize\, which in turn allow her to improve how she offers various art programs or events in Halifax. Through her dedication to building equity and relationships in community\, she is working to create spaces where racialized and LGBTQIAP+ artists can be centered. \nTayla Fern Paul is a Mi’kmaq artist\, activist and metal fabricator currently living in Eskasoni\, Unama’ki. A member of Pictou Landing First Nation\, she grew up in Kjipuktuk (Halifax). She has a painting at the Dalhousie Weldon Law building\, a relief clay tile currently on display at the Museum of Natural History\, is currently finishing a steel and copper tree sculpture for Eel River Bar First Nation\, and is teaching art on reserves in Cape Breton. Born in Kjipuktuk and raised in Wolfville\, Tayla returned to Kjipuktuk after traveling as a youth to remain on homeland. Tayla has also done public speaking on issues of social and environmental justice. She has four children\, and is the daughter of artist Leonard Paul. \nLiliona Quarmyne is a dancer\, actor\, singer\, community organizer\, and activist committed to progressive social change. Her eclectic background and experiences have taken her through many performance styles on four different continents. She choreographs and dances across Canada and internationally\, creates and performs original works as an independent artist\, facilitates community programming\, is the Artistic Director of Kinetic Studio\, and works as the Community Catalyst at Mocean Dance. Liliona sees her body as a link to past and to future generations. Her scope of work is broad\, but is particularly focused on the relationship between art and social justice\, on the body’s ability to carry ancestral memory\, and on the role the performing arts can play in creating change. \n**Sign language interpretation will be provided during the May 24th presentation. \nFull Festival details available at: www.mayworkshalifax.ca
URL:https://busstoptheatre.coop/event/mikmaki-2030-hope-and-fire/
LOCATION:The Bus Stop Theatre\, 2203 Gottingen Street\, Halifax\, Nova Scotia\, B3K3B5\, Canada
CATEGORIES:Festival,Mayworks Halifax,Performance Arts
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BEGIN:VEVENT
DTSTART;TZID=America/Halifax:20190522T190000
DTEND;TZID=America/Halifax:20190522T210000
DTSTAMP:20260418T185039
CREATED:20190429T161348Z
LAST-MODIFIED:20190429T161348Z
UID:5688-1558551600-1558558800@busstoptheatre.coop
SUMMARY:Black Feminism: Sistas of the Struggle
DESCRIPTION:We marched\, sang\, protested and supported the feminist movement\, we fought for maternity leave\, employment equity\, flex time\, and society stands on our shoulders. \nA panel discussion examining the story of Black women who have led movements for social change during the 70’s\, 80’s and 90’s.\nAlthough Black women have played an important role – both behind the scenes and on the frontlines – in struggles for equality\, women’s rights and social justice\, they are generally excluded from historical narratives of the feminist movement. It is time their stories were told and their contributions to social justice acknowledged and recognized. \nPanelists:\nDelvina Bernard\, Lynn Jones\, Dolly Williams and Carolann Wright-Parks \nEvent Facilitator: Folami Jones\nPanel Moderator:  El Jones \nWith opening poetry by:\nDr Afua Cooper and Martha Mutale. \n“When we speak of feminism there almost always is the tendency to assume that this is something that was created by white women.” Author and Feminist Civil Rights Leader\, Angela Davis \n**Sign language interpretation provided. \n  \nBiographies and full Festival details available at: www.mayworkshalifax.ca
URL:https://busstoptheatre.coop/event/black-feminism-sistas-of-the-struggle/
LOCATION:The Bus Stop Theatre\, 2203 Gottingen Street\, Halifax\, Nova Scotia\, B3K3B5\, Canada
CATEGORIES:Community Events,Festival,Mayworks Halifax,Spoken Word
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BEGIN:VEVENT
DTSTART;TZID=America/Halifax:20190520T193000
DTEND;TZID=America/Halifax:20190521T210000
DTSTAMP:20260418T185039
CREATED:20190429T160602Z
LAST-MODIFIED:20190429T161510Z
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SUMMARY:Remembering the Winnipeg General
DESCRIPTION:May 20th & 21st | 7:30pm-9:00pm\nDaPoPo Theatre presents a staged reading of a new play by Thomas McKechnie.\n“So what do we do in divided\, fearful times? What do we do with the howling\, hopeless\, yellow tinged guts in our frail little bodies?” \nWinnipeg\, 1919. Massive unemployment and inflation. In the wake of the Russian Revolution\, workers\, many of them newcomers to Canada\, unite and effectively shut down the city. Thousands of women act as strikers and strike-breakers. The Citizens’ Committee\, representing the city’s ruling class\, along with the police\, respond with force. \nToronto-based theatre artist Thomas McKechnie\, known to Halifax audiences from A Wake For Lost Time and 4 1⁄2 (ig)noble truths\, asks us to remember Canada’s landmark strike and consider the price of state-sanctioned violence and systemic oppression. \nHalifax actors Madeleine Tench and Kristi Anderson lend voices to the over 40 characters in a staged reading of this rousing new play directed by GaRRy Williams and Keelin Jack. \n**Sign language interpretation will be provided during the May 21st presentation. \nTickets and full festival details can be found at www.mayworkshalifax.ca
URL:https://busstoptheatre.coop/event/remembering-the-winnipeg-general/
LOCATION:The Bus Stop Theatre\, 2203 Gottingen Street\, Halifax\, Nova Scotia\, B3K3B5\, Canada
CATEGORIES:Festival,Mayworks Halifax,Theatre
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BEGIN:VEVENT
DTSTART;TZID=America/Halifax:20181128T190000
DTEND;TZID=America/Halifax:20181128T200000
DTSTAMP:20260418T185039
CREATED:20181024T170741Z
LAST-MODIFIED:20181024T170741Z
UID:5236-1543431600-1543435200@busstoptheatre.coop
SUMMARY:Canadian Labour International Film Festival
DESCRIPTION:Mayworks Halifax presents a film screening curated by\nCANADIAN LABOUR INTERNATIONAL FILM FESTIVAL \nCLiFF takes place this November in locations across Canada. Selected international films celebrate workers from around the world and shed light on issues that affect us all. \nAdmission by donation – PWYC!\nFREE Popcorn! \n***FILM PROGRAM***\nTotal run time: 60 min \nWORK (Bolivia\, Documentary\, 12 min)\nIn October of 2017\, people from more than 10 countries in Latin America and the Caribbean filmed their work routine. From dawn to dusk\, a mosaic of daily difficulties\, aspirations and dreams are revealed. It’s an eye-opening look into how everyday workers are perceived and how hard it can be to get ahead. \nKAMPUNG TAPIR (Indonesia/Malaysia\, Drama\, 17 min)\nOne Sunday afternoon\, migrant workers Anne and her husband leave their five-year-old daughter from Kampung Tapir (Tapir Village)\, Malaysia. On the way to Singapore\, their bus hits a wild Malayan tapir crossing the road\, but no one is eager to save it. In the struggle of choosing a country to settle down in\, Anne finds that she is like this endangered species\, drifting between places to find a better life. \nTRABAJADORES (USA\, Documentary\, 10 min)\n55 years later\, Arturo S. Rodríguez\, President of the United Farm Workers of America\, continues the task that César Chávez started\, with the upcoming threat of the new Trump administration and the negative impact it may have on undocumented workers’ jobs and rights. \nGUT FEELING (Canada\, Drama\, 2 min)\nA girl is at work when she is asked to put something away. She doesn’t feel comfortable with doing it\, which leads to an accident. \nLIFE OF DEATH (Indonesia\, Animation\, 5 min)\nDeath\, while struggling to balance his work and family life\, talks about his existence\, his job\, and his opinions on human beings in an interview from the documentary ‘Life of Death’. \nHAUNTED WITNESS (Canada\, Documentary\, 10 min)\nTrauma suffered by crime reporters is an under-reported and stigmatised issue. It is often forgotten or widely unacknowledged that like policeman and paramedics\, journalists are first responders to daily scenes of horror. Admitting to experiencing trauma to newsroom colleagues\, however\, is widely denounced within the industry. \nNOUVELLE CUISINE (Spain\, Animation\, 5 min)\nA chef that loves his job and enjoys the delicacies he cooks\, is preparing a very different menu for a peculiar group of clients.
URL:https://busstoptheatre.coop/event/canadian-labour-international-film-festival-2/
LOCATION:The Bus Stop Theatre\, 2203 Gottingen Street\, Halifax\, Nova Scotia\, B3K3B5\, Canada
CATEGORIES:Festival,Film
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BEGIN:VEVENT
DTSTART;TZID=America/Halifax:20180512T200000
DTEND;TZID=America/Halifax:20180513T020000
DTSTAMP:20260418T185039
CREATED:20180423T164324Z
LAST-MODIFIED:20180423T164324Z
UID:4658-1526155200-1526176800@busstoptheatre.coop
SUMMARY:Hip Hop vs. Capitalism
DESCRIPTION:This festival mic drop closes our 2018 program through a night of beats and rhymes that speak truth to capitalist power. \nAdmission: Pay What You Can \nTest Their Logik\nUsing hip-hop to inspire political action and to deliver potent messages of social and environmental justice\, TEST THEIR LOGIK has developed a following amongst activists and hip-hop heads alike. For 9 years they’ve toured this planet\, supporting social movements and freedom fighters at the frontlines of struggles against the tyranny and violence of the powerful\, as well as rocking parties\, festivals\, and stages on every continent. Their most recent album “BE” was well-received on campus radio across Canada\, staying in the top 10 on the hip-hop charts Nationally for 10 weeks straight and hitting #1 at various stations across North America. They are currently working on their third full-length Album “See”.\ntesttheirlogik.bandcamp.com \nLee Reed\nKanadian HipHop’s oldest and grumpiest radical left loudmouth\, and a respected veteran of the nation’s indie music scene. For over 20 years he’s been stomping stages and studios\, spewing his unique brand of fiery\, anti-capitalist rant-hop. From mouthpiece for the legendary punk-hop greats Warsawpack\, and throughout his solo work that followed\, Reed’s musical legacy remains committed to the fight for a better world. Voicing anti-oppressive politics through HipHop\, and soundtracking and signal-boosting the efforts of communities and organizers struggling on the frontline for social and environmental justice. His latest album\, 2015’s anti-colonial/anti-state anthem “The Butcher The Banker The Bitumen Tanker” spent 14 weeks on the national campus & community radio Top-10 charts\, ending the year as Kanada’s #6 HipHop album. Hide your bankers. Hide your cops.\nleereed.bandcamp.com \nDJ Fadzwa HFX\nZimbabwe born and raised\, Halifax praised. DJ Fadzwa is known for spinning killer afrobeat sets with visuals to match. Fadza recently won Bronze for best DJ at The Coast: Best of Halifax 2017 Awards. Bringing the sounds of the African Diaspora and more\, be prepared to party.\nhttps://www.facebook.com/kunyangwe18/ \nRay Reaves\nRaised in poverty stricken parts of Atlanta\, and Washington D.C.\, Ray uses his experiences witnessing police brutality\, violent crime\, and struggle in his communities to craft songs on these issues with a mix of melody and raw emotion.\nrayreaves.bandcamp.com/ \nEl Jones\nEl Jones is a poet\, professor and one of the most influential activists living in Halifax\, Nova Scotia. She’s the former Poet Laureate of Halifax\, the current Nancy’s Chair in Women’s studies and the co-host of the Black Power Hour on CKDU-FM\, an educational program which provides information on Black history and culture aimed at incarcerated people \nParty Brass\nParty Brass is a Rhymethink project featuring MC’s Testament (of Test Their Logik) and Lee Reed. No ballads. No slow jams. Just pure party-rocking soundtrack for peeps resisting the shytstem. Emma Goldman is famously quoted as saying “If I can’t dance to it\, it’s not my revolution”. In that spirit\, Party Brass is looking to take revolution to the dance floor the way Emma woulda’ wanted. Beats and rhymes for radical minds. \nPresented by the NSGEU \nVisit www.mayworkshalifax.ca for all event details.
URL:https://busstoptheatre.coop/event/hip-hop-vs-capitalism/
LOCATION:The Bus Stop Theatre\, 2203 Gottingen Street\, Halifax\, Nova Scotia\, B3K3B5\, Canada
CATEGORIES:Festival,Mayworks Halifax,Music
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BEGIN:VEVENT
DTSTART;VALUE=DATE:20180509
DTEND;VALUE=DATE:20180512
DTSTAMP:20260418T185039
CREATED:20180423T163630Z
LAST-MODIFIED:20180423T163826Z
UID:4652-1525824000-1526083199@busstoptheatre.coop
SUMMARY:Standing With Water
DESCRIPTION:Standing with Water is a tribute to two bodies of water on opposite sides of the Atlantic Ocean – the Songor Lagoon in Ada\, Ghana\, and the Shubenacadie River here in Nova Scotia. \nThis suite of dance pieces brings the two bodies of water and the issues that surround them into dialogue\, exploring questions of ancestral relationship\, responsibility\, teachings\, and the sacred. The pieces are a tribute to water itself\, and to those who work so hard to protect it. Standing with Water is an ode to what was\, and to what could be. \nMay 9th to 11th\, 8:00pm-9:30pm \nAdmission: $15\nor $20 if paired with iWitness \nChoreographed by Liliona Quarmyne and featuring dancers Susan Barratt\, Kathleen Doherty\, Kara Friesen\, Denise John\, and Liliona Quarmyne. \nPresented by CUPE Nova Scotia\nWith support from the Nova Scotia Public Interest Research Group (NSPIRG) \nVisit www.mayworkshalifax.ca for all event details.
URL:https://busstoptheatre.coop/event/standing-with-water/
LOCATION:The Bus Stop Theatre\, 2203 Gottingen Street\, Halifax\, Nova Scotia\, B3K3B5\, Canada
CATEGORIES:Dance,Festival,Mayworks Halifax
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BEGIN:VEVENT
DTSTART;VALUE=DATE:20180509
DTEND;VALUE=DATE:20180512
DTSTAMP:20260418T185039
CREATED:20180423T163047Z
LAST-MODIFIED:20180423T170029Z
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SUMMARY:iWitness
DESCRIPTION:“…a bold mover!” (Lisa Traiger\, Washington Post) \nVincent E. Thomas/VTDance contemplates acts of humanity in the deeply moving\, multi-layered work- iWitness. “I Pledge” explores simple truths in human behaviors and implied truths in human documents. “Render & Proceed” investigates the convolution of media and its impact on the human spirit. “Come Change” considers the past and present for a hopeful tomorrow. \nCollaborators include: Dwayne Hess (video)\, Cecylia Barcyzk (cello)\, Daniel Jose Older (sound design\, text)\, Jodi Ozimek (costume) \nMay 9th to 11th\, 7:00pm-7:30pm \nAdmission: $10\nor $20 if paired with Standing With Water \niWitness is the solo work based on the award-winning\, evening length- Witness. Witness was commissioned by the John F. Kennedy Center for the Performing Arts as part of 2008 Performing Arts for Everyone and the Millennium Stage. \n“There is no doubt that Vincent E. Thomas is an ambitious choreographer.” (Washington Post) \n  \n  \n  \nVisit www.mayworkshalifax.ca for all event details.
URL:https://busstoptheatre.coop/event/iwitness/
LOCATION:The Bus Stop Theatre\, 2203 Gottingen Street\, Halifax\, Nova Scotia\, B3K3B5\, Canada
CATEGORIES:Dance,Festival,Mayworks Halifax
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END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Halifax:20180508T183000
DTEND;TZID=America/Halifax:20180508T203000
DTSTAMP:20260418T185039
CREATED:20180423T161714Z
LAST-MODIFIED:20180423T161714Z
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SUMMARY:The True Cost of Coal
DESCRIPTION:Part visual art installation\, part spoken word storytelling\, The True Cost of Coal examines the cost of coal-powered electricity\, while celebrating stories of struggle from communities in the Appalachian mountains. A collaboration between the Beehive Design Collective and hip hop duo Test Their Logik\, this event features large scale murals and stinging rhymes that will resonate loudly in Nova Scotia. \nAdmission: Pay What You Can.\nNOTE: Sign language interpreters will be present during this event. \nThe True Cost of Coal graphic uses mountaintop removal coal mining in Appalachia as a lens through which to understand the historical and contemporary story of energy and resource extraction. \nWith a gigantic portable mural teeming with intricate images of plants and animals from the most biodiverse temperate forest on the planet\, the Bees will share (and seek) stories of how mountaintop removal coal mining affect communities and ecosystems throughout Appalachia and beyond. \nLong exploited as a resource-extraction colony within the US\, the Appalachian mountains are home to a fight for survival which has determined\, in part\, the industrial power of this country. Without coal\, mined at a great cost to Appalachian communities\, there would be no ‘cheap’ electricity. Today’s energy corporations and government bodies are continuing to show the extent of their greed and short-sightedness as they push their extractive agendas in the “New Coal Rush.” We will expose the deceptions of “clean coal” technologies and bring to light the root causes of the climate chaos the planet is facing today. \nThe True Cost of Coal examines all of our connections to coal\, while celebrating stories of struggle from mountain communities. The last chapter of the story also looks to the future\, raising questions about alternatives\, remediation\, and regeneration.\n—-\nPresented by SEIU Local 2 \nVisit www.mayworkshalifax.ca for all event details.
URL:https://busstoptheatre.coop/event/the-true-cost-of-coal/
LOCATION:The Bus Stop Theatre\, 2203 Gottingen Street\, Halifax\, Nova Scotia\, B3K3B5\, Canada
CATEGORIES:Festival,Mayworks Halifax,Spoken Word,Visual Arts
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END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20180504
DTEND;VALUE=DATE:20180507
DTSTAMP:20260418T185039
CREATED:20180423T141503Z
LAST-MODIFIED:20180423T141837Z
UID:4637-1525392000-1525651199@busstoptheatre.coop
SUMMARY:It's A Girl!
DESCRIPTION:I had a dream again the other night…\nSex\, love\, and identity: the life of one trans woman. \nCreated by Michelle Raine and Alexis Milligan \nIt’s A Girl! is a 60min performance piece created to engage public conversations about trans identity\, and to provide opportunities for discussions about the new language of gender identity emerging in our society. \nAdmission: $10\nor $15 if paired with Heavy \nMay 4\, 8:30pm\nMay5\, 6:00pm\nMay 6\, 6:30pm \n*NOTE: A sign language interpreter will be present during the May 5th\, 6pm performance. \n*Content warning:\nDiscussions about gender\, transphobia\, mental illness\, assault\, harassment\, and marshmallows. Marshmallows everywhere. \nVisit www.mayworkshalifax.ca for all event details.
URL:https://busstoptheatre.coop/event/its-a-girl/
LOCATION:The Bus Stop Theatre\, 2203 Gottingen Street\, Halifax\, Nova Scotia\, B3K3B5\, Canada
CATEGORIES:Festival,Mayworks Halifax,Theatre
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DTSTART;VALUE=DATE:20180504
DTEND;VALUE=DATE:20180507
DTSTAMP:20260418T185039
CREATED:20180423T141029Z
LAST-MODIFIED:20180423T141622Z
UID:4634-1525392000-1525651199@busstoptheatre.coop
SUMMARY:Heavy
DESCRIPTION:Gain 100 pounds\, then lose that 100 pounds in six months. \nBody shaming\, self loathing\, eating disorders\, and parenting as an obese Dad are part of his fight on the journey to self love\, body positivity\, and becoming a superhero Dad. \nCredits:\nWritten/ Performed by Taylor Olson\nDirected by Sansom Marchand \nAdmission: $10\nor $15 if paired with It’s A Girl! \nMay 4\, 6:30pm\nMay 5\, 8:00pm\nMay 6\, 4:00pm \n*NOTE: A sign language interpreter will be present during the May 6th\, 4pm performance. \nBio:\nTaylor Olson: Since finishing the Dalhousie Acting Program in 2014\, Taylor has worked locally on film and stage. He is one half of Afro Viking Pictures and part of Interwoven Theatre Collective. A multiple ACTRA award nominee\, select screen credits include: Pure\, Mr. D (CBC)\, Halloween Party\, Hopeless Romantic (Northeast Films)\, Black Cop (Blac Op Films)\, Ariyah & Tristan’s Inevitable Break Up\, Hustle & Heart (Afro-Viking Pictures)\, You Ruined Our Life!\, Your Money or Your Wife (Shut Up and Deal)\, Haven (Syfy)\, Sex & Violence (Emotion Pictures). Selected theatre credits: Redfish (HTYP/ Boom Boom Pow)\, For the Taking (Festival Antigonish)\, David for Queen\, Two in the Coop (HTYP)\, and Catherine Bank’s Bone Cage (Matchstick Theatre). \nVisit www.mayworkshalifax.ca for all event details.
URL:https://busstoptheatre.coop/event/heavy-2/
LOCATION:The Bus Stop Theatre\, 2203 Gottingen Street\, Halifax\, Nova Scotia\, B3K3B5\, Canada
CATEGORIES:Festival,Mayworks Halifax,Theatre
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BEGIN:VEVENT
DTSTART;TZID=America/Halifax:20180503T183000
DTEND;TZID=America/Halifax:20180503T213000
DTSTAMP:20260418T185039
CREATED:20180423T140345Z
LAST-MODIFIED:20180423T140551Z
UID:4630-1525372200-1525383000@busstoptheatre.coop
SUMMARY:The Sankofa Singer/Songwriter Circle
DESCRIPTION:The Sankofa teaches us that we must go back to recognize what was before us while moving forward in the future. \nAs part of this looking back\, a stellar roster of African Nova Scotian singer/songwriters will be paying tribute to the internationally known a capella group Four the Moment. Each of them will also showcase their new works and stories of inspiration and growth. \nSinger/Songwriter circles give the audience a glimpse into the inspirations of these talented artists. Each creative process is unique\, exciting and special. \nAdmission: Pay What you Can. \nOur MC for the night will be Folami Jones.\nFeatured Singer/Songwriters:\nCyndi Cain\nPat Watson\nKwento\nZamani \nThe Artists: \nCyndi Cain\nShe’s got the kind of voice that’s capable of giving you goose bumps on the most sweltering of summer nights. The Halifax-based soul singer has shared the stage with Michael Buble\, Aretha Franklin\, Lauryn Hill\, Sharon Jones Naturally 7\, Charles Bradley and in 2010 was selected to perform for Her Majesty Queen Elizabeth II. Cyndi’s release Essentially Cyndi earned her an East Coast Music Award nomination\, as did her follow up\, 2013’s Soul Food\, a more old school sounding record that’s filled with passionate songs of both beautiful joy and pain. Arguably the east coast powerhouse of soul\, Cain’s taken home the Galaxie Rising Star Award\, the African Nova Scotia Music Award for Best R&B Artist and this year and has been named ANSMA’s Artist of the Year.\n—\nPat Watson\nClassic jazz\, silky smooth with a gospel touch\, that’s the music in Patricia Watson. The purity of Pat’s voice\, combined with her style and grace won her the Rising Star Award for 2009 from the African Nova Scotia Music Association. She has been singing most of her life and became serious about her music when she retired in 2009. In addition to singing with her band and the A Capella Women’s Choir\, Pat has directed gospel music workshops for The Lunenburg Folk Harbour Festival and various churches in Nova Scotia. She has also conducted jazz and gospel workshops for The Harmony Bazaar Women’s Festival of Women and Song and various fund raising events. Patricia has performed for different churches in Nova Scotia\, Vancouver\, Arizona\, California and New Mexico as a guest soloist\, speaker and workshop facilitator.\n—\nKwento\nOriginally from the Preston Township\, Kwento is a product of self discovery and reclaiming her African roots. She wishes for her presence to tell a story that validates and offers comfort to the silenced. Formerly known as Kirsten Olivia\, Kwento is not your typical R&B singer – her unique sound can be described as a cross between Neo soul and Experimental R&B; bringing genres together in a fusion that’s familiar yet stretching creative boundaries. Her performances are full of emotional honesty and empowered femininity and her vocals leave audiences speaking of her effortlessness. She boasts an impressive list of stages she has performed on\, from Harlem New York’s Carribbean Music Festival\, Halifax’s Jazz and Tall Ships Festivals\, Nova Scotia Music Week\, East Coast Music Week\, and The African Nova Scotian Music Awards stage\, where she won the award for Best Emerging artist. Her musical exploits have seen her become an ECMA Nominee for Best R&B Recording and The Coast’s Best R&B Silver winner.\n—\nZamani\nAt just 17 years old\, Zamani’s music is described as captivating\, satiny-soulful and refreshingly pure! Greatly inspired by the R&B\, pop\, Jazz and soul divas of this era\, Zamani\, skillfully arranges\, produces\, writes\, sings and performs original musical works. After a featured performance at Halifax’s popular “For the Love of God Concert in 2015 and a debut jazz performance at the prestigious Halifax TD International Jazz Festival – which won the praise of vocalist Sharon Jones – Zamani was invited to give a featured performance at the 18 th Annual African Nova Scotian Music Awards which launched her into the African Nova Scotian music scene. Zamani was recently named co-recipient of the 2018 ANSMA Portia White Youth Award; She is a recipient of the 2018 Jongleur Productions Performance Award and a nominee of the Jongleur Youth Arts Scholarship. She is currently working on an EP of original compositions to be released in 2018.\n——\nWho was Four the Moment?\nFour the Moment‘s career spanned several decades and began as a direct action response against the Ku Klux Klan planning to establish a base in Halifax. They have an incredible story that we Nova Scotians should never forget. Their songs spoke to the African Nova Scotian experience and the fight for justice\, freedom and equality for all. \nPresented by the Canadian Union of Public Employees \nVisit www.mayworkshalifax.ca for all event details.
URL:https://busstoptheatre.coop/event/the-sankofa-singer-songwriter-circle/
LOCATION:The Bus Stop Theatre\, 2203 Gottingen Street\, Halifax\, Nova Scotia\, B3K3B5\, Canada
CATEGORIES:Festival,Mayworks Halifax,Music
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BEGIN:VEVENT
DTSTART;TZID=America/Halifax:20180502T183000
DTEND;TZID=America/Halifax:20180502T203000
DTSTAMP:20260418T185039
CREATED:20180423T135413Z
LAST-MODIFIED:20180423T135413Z
UID:4626-1525285800-1525293000@busstoptheatre.coop
SUMMARY:Reel Justice
DESCRIPTION:Our 2018 program of short films will examine Maritime landscapes and waterscapes through various themes including mental health and our connection to land. \nAdmission: Pay What You Can.\nTotal run time: 80 min \nBound\nBy Daniel Boos (2015)\n11 min\nWhen a mysterious group of workers appear at his brother’s sawmill\, a struggling shopkeeper must face a troubling decision. Winner Best Film: A&E Short Filmmakers Award (2017). Winner Best Short Film: Screen NS Awards (2016). Nominee: Best Canadian Short Film – CBC Short Film Face Off (2016).\n—\nCanada Vignettes: Men of the Deeps\, Cape Breton\nBy Sandra Dudley (1973)\n2 min\nThis short NFB vignette features coal mines in New Waterford and Glace Bay\, Nova Scotia\, along with traditional Cape Breton folk songs sung by Men of the Deeps – a miners’ choral group.\n—\nSnow Shovelling\nBy Maritime Bhangra Group (2016)\n2 min\nMaritime Bhangra Group found a new way to clear snow while doing bhangra. Wanna learn?\n—\nKreb\nBy Tim Tracey Animation (2013)\n7 min\nA faceless factory worker fuses nature and technology until he discovers a dark truth. Winner Best Short Film: 2015 Screen Nova Scotia. Winner Platinum Remi Award\, Best Animated Short: 2014 Houston World-fest. Winner Best Animated Short: 2013 Atlantic Film Festival.\n—\nHorizontal Concavity\nBy Koumbie Tr-Th (2017)\n8 min\nWith the help of his therapist\, a young man struggling with depression and anxiety finds himself at a party where he discovers he may not be as alone as he feels.\n—\nMatt: Forensic Mental Health Success Stories\nBy Stephanie Young (2017)\n6 min\n“Matt’s” story\, written/preformed by spoken word artist Andre Fenton\, is part of a collection of narratives gathered for the Forensic Mental Health Success Stories project\, which aims to increase understanding and awareness about people who have achieved success after being found ‘Not Criminally Responsible on account of Mental Disorder’ by a court.\n—\nPearls\nBy Shelley Thompson (2017)\n9 min\nMiranda realizes her son Donald can only become the woman she is by defying her father and leaving their farm\, in an outfit Miranda provides that includes a much-loved heirloom.\n—\n29 Hours\nBy Stephanie Young – Filmmaker (2016)\n2 min\nInternationally\, a trans woman is killed very 29 hours. Although hate crimes and violence affect the LGBTQ community at large\, trans women\, specifically trans women of colour\, are at a much higher risk of becoming victims of hate-motivated violence.\n—\nFloating Warren Pavilion\nBy Zachary Gough (2017)\n6 min\nA playfully-autonomous floating art pavilion serves as a shared vision where artists come together to conjure a responsive space through experimentations that are guided by values of care and solidarity.\n—\nWe Story the Land\nBy Martha Stiegman & Sherry Pictou (2016)\n27 min\nThe Bear River reserve boundary cuts the people of L’sitkuk off from their ancestors’ hunting and fishing grounds. But there are old canoe routes that leave from the reserve\, and cross the territory; and people here are working to reclaim them. \nVisit www.mayworkshalifax.ca for all event details.
URL:https://busstoptheatre.coop/event/reel-justice/
LOCATION:The Bus Stop Theatre\, 2203 Gottingen Street\, Halifax\, Nova Scotia\, B3K3B5\, Canada
CATEGORIES:Festival,Film,Mayworks Halifax
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BEGIN:VEVENT
DTSTART;VALUE=DATE:20180501
DTEND;VALUE=DATE:20180513
DTSTAMP:20260418T185039
CREATED:20180423T134923Z
LAST-MODIFIED:20180423T134923Z
UID:4622-1525132800-1526169599@busstoptheatre.coop
SUMMARY:Under the Surface
DESCRIPTION:Under the Surface is a group exhibition featuring works by Kim Cain\, Tina Roberts-Jeffers and Katie Toth. \nTogether\, their works ask us to take a closer look at their subjects\, unearth the obscured and reconsider our assumptions about home. \nAdmission: FREE\n————————-\nOpening Reception\nMay 1st at 6:30pm\nfollowing the May Day rally \nFREE ice cream will be on offer at our opening reception immediately following the May Day march thanks to Dee Dee’s Ice Cream!\nSign language interpreters will be present during our opening reception.\n————————–\nVisiting Hours\nThe exhibit will remain viewable for free to anyone attending festival events at the Bus Stop Theatre Co-op.\nVisiting hours will also be held on the weekend of May 5th and 6th from noon to 5pm each day.\n—————————\nSeeds of the Seven Year Harvest\nby Kim Cain\nThrough her painting\, Cain pays homage to the arduous agricultural labour through which African Nova Scotian communities have survived despite obstacles set against them. Today’s generations of African Nova Scotians are the harvest of seeds planted long ago by tenacious and hard working ancestors. \nIn Full View\nby Tina Roberts-Jeffers\nIn Full View is a photo exhibit that explores the unpaid labour of women\, and more specifically Black women\, in and around the home. The stills and self portraits point to the work needed to sustain households.\nLabour that is often invisible is presented here in large\, oversized photos that ask viewers to think about the physical and emotional weight of people and things on women.\nIn Full View wonders aloud who and what can be set aside until tomorrow\, when the struggle demands so much of us today. \nFace Control\nby Katie Toth\nWhat makes a refugee?\nCanada is held up as a bastion of multiculturalism for many Romani people in Europe\, who say that they are subject to a kind of “face control” that prevents them from finding employment and being treated as full citizens in their current nations. National and international laws try to draw borders between refugees fleeing persecution and immigrants seeking better financial futures. But for people who are prevented from participating fully in civil society because of discrimination or who are denied a chance to find meaning through their work\, those lines aren’t so easy to draw. Material concerns are also political ones. \nUnder the Surface is presented by the Nova Scotia Nurses’ Union \nVisit www.mayworkshalifax.ca for all event details.
URL:https://busstoptheatre.coop/event/under-the-surface/
LOCATION:The Bus Stop Theatre\, 2203 Gottingen Street\, Halifax\, Nova Scotia\, B3K3B5\, Canada
CATEGORIES:Community Events,Festival,Mayworks Halifax,Visual Arts
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BEGIN:VEVENT
DTSTART;TZID=America/Halifax:20171107T190000
DTEND;TZID=America/Halifax:20171107T203000
DTSTAMP:20260418T185039
CREATED:20171030T153646Z
LAST-MODIFIED:20171030T153646Z
UID:3958-1510081200-1510086600@busstoptheatre.coop
SUMMARY:Canadian Labour Int'l Film Festival
DESCRIPTION:Mayworks Halifax presents CLIFF 2017\nCanada’s national labour film festival which takes place in November in locations across Canada. Films are about workers and what affects all of us. \nAdmission by donation – PWYC!\n FREE Popcorn! \nFull program details to be announced soon! \n\nFilms will include the following: \nTHE CHOP 17min United Kingdom | English\n‘The Chop’ is a comedy about Yossi\, a charismatic Kosher butcher who loses his job\, cannot find work at other Kosher butchers\, and therefore decides to pretend to be Muslim in order to get work at a Halal butchers.\nhttps://vimeo.com/179445944 \ntouch 15min Canada | English\nWhen a single mom\, facing eviction\, is offered a night’s work\, she unsuccessfully seeks a babysitter for her two small children. Desperate\, she reaches out to the last person she wants to ask for a favour.\nhttp://www.cbc.ca/news/canada/newfoundland-labrador/newfoundland-film-touch-wins-award-at-cannes-1.3599185 \nNecessity Has No Law 6min Egypt | Arabic\nDay in the life of one of the brick factories and numerous positions between child workers begin his life in this profession and between an old man end his life in the same profession\nhttps://www.berlinstudentfilmfestival.com/news/necessity-has-no-law-bsff-2017-official-selection \nA passion of gold and fire 6min Belgium | French\nA beekeeper shares his worries about the future of his apiary school. A passion of gold and fire which definitely helps our environment to keep on living.\nhttps://www.youtube.com/watch?v=z7LeL88gDtc \nHuicholes del Tabaco 10min Mexico | Spanish\nMost of the tobacco production in Nayarit\, Mexico goes to companies like British American Tobacco and Philip Morris international\, that despite their billions of dollars in earnings they haven’t taken responsibility for these workers\, that even when they work from 20 to 22 hours per day\, very often don’t have enough money to buy food for the rest of the week.\nhttps://vimeo.com/185578101
URL:https://busstoptheatre.coop/event/canadian-labour-intl-film-festival/
LOCATION:The Bus Stop Theatre\, 2203 Gottingen Street\, Halifax\, Nova Scotia\, B3K3B5\, Canada
CATEGORIES:Film
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END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20170506
DTEND;VALUE=DATE:20170508
DTSTAMP:20260418T185039
CREATED:20170411T174216Z
LAST-MODIFIED:20170510T144429Z
UID:3434-1494028800-1494201599@busstoptheatre.coop
SUMMARY:Mug
DESCRIPTION:The Mayworks Halifax Festival presents \nA New Play by In My Own Voice (iMOVe) Arts Association\nMay 6th  7pm \nMay 7th 2pm \nMay 7th 7pm \n\nMug revolves around the Mug Shots of three formerly incarcerated people – photographs that span collectively almost 50 years of being in conflict with oneself and the Justice System. When a photograph is captured we often refer to it as ‘taking’ the photograph. This process of taking is encapsulated by the taking of the mug shot. However\, when a person is convicted of committing an offence\, the process of taking involves much more. When a person is incarcerated\, the liberty of free movement is taken. The person’s clothes are taken. The ability to make many of their own decisions is taken. Through Mug\, four persons relive their past by offering their stories and invite us all to take the challenge of giving. \n Featuring performances by JRDN\n \n\nCast & Crew:\nCast: Craig Kelly\, Lance Perry\, Darren Tynes and JRDN\n\nDirected by Sobaz Benjamin\nWith assistance from: Liam Petite\, Jacob Sampson\, Michael Tennyson and Jordan Metro\n\nBiographies\n\nSobaz Benjamin\, Founder and Executive Director of In My Own Voice (iMOVe) Arts Association\, is an accomplished and recognized film-director\, as well as a community advocate\, youth mentor\, program facilitator and educator. In 2009\, he started working with the Nova Scotia Justice Department to deliver his Life Story course at the Nova Scotia Youth Facility\, and was honoured in 2014 by the Provincial Justice Department with a Minister’s Award for Individual Leadership in Crime Prevention. He has taught and presented at a number of public schools and post-secondary institutions\, as well as facilitated community-based projects around and beyond the HRM. Sobaz has also received a Humans Rights Award for his work with youth and directing awards from the National Film Board of Canada and the Canadian Academy of Cinema and Television. \nJordan Croucher (aka JRDN) is a Canadian R&B/Hip Hop recording artist raised in Halifax and Toronto. After playing on the St-FX basketball team and a year of professional basketball in France\, he began a career in music which has lead him to national and international recognition. \nCraig Kelly is currently remanded at the Central Nova Scotia Correctional Facility in Burnside. He is a 23 year old Caucasian male and has been in conflict with the justice system since he was thirteen – the age when his first mug shot was taken. Craig is awaiting sentencing. \nLance Perry is a 33 year old African Nova Scotian. He was born and raised in Uniacke Square and has been in conflict with the justice system since he was thirteen. He is currently under house arrest awaiting trial. He is the father of three children: a 12 month old boy and two daughters aged 6 and 10. He is determined to turn his life around\, and as he puts it\, “to be of some good use to his children.” \nLiam Petite is a Filmmaker/Editor and Photographer at Misfits&Masterminds Productions\, a Halifax-based film production company producing a mix of music videos\, promotional videos\, short and feature films. Liam worked with iMOVe to produce the video elements of Mug. \nJacob Sampson is a Writer and Performer. Jacob Sampson is an actor from the Annapolis Valley and a graduate of Acadia University’s acting program. Jacob has performed at Shakespeare By the Sea for four seasons and is the playwright and star of Chasing Champions\, an award winning biographical play about Sam Langford. Jacob was acting coach and assisted Sobaz Benjamin in the staging of the play. \nMichael Tennyson is a Filmmaker/Editor at Tennyson Studios. Michael offers film and editing services for mainstream and social media and worked with iMOVe to produce the video elements of Mug. \nDarren Tynes is a 39 year old African Nova Scotian born and raised in Uniacke Square. He was released from the Central Nova Scotia Correctional Facility in December of 2016. He has found part time work with a construction company and\, like Lance\, Craig and Jeff\, he is determined to make it on the outside – this time. \nJordan Williams Joseph (aka Jordan Metro) is a Halifax Music Producer and Audio Engineer. Jordan is a 22 year old hip hop and R&B producer stationed in Halifax and has produced and recorded a number of albums for local and international artists. He is a graduate of the Nova Scotia Community College’s Recording Arts Program and Music Business Program. Jordan worked with iMOVe to produce the audio elements of Mug. \nBuy Tickets Online\nAdmission = $20\nFestival Pass = $50 \n \n  \nPresented in partnership with the Service Employees International Union Local 2 – Nova Scotia and with assistance from the Nova Scotia department of Communities\, Culture and Heritage\n        
URL:https://busstoptheatre.coop/event/mug/
LOCATION:The Bus Stop Theatre\, 2203 Gottingen Street\, Halifax\, Nova Scotia\, B3K3B5\, Canada
CATEGORIES:Festival,Mayworks Halifax,Music,Performance Arts,Theatre
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END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20170505
DTEND;VALUE=DATE:20170511
DTSTAMP:20260418T185039
CREATED:20170410T173230Z
LAST-MODIFIED:20170511T134525Z
UID:3425-1493942400-1494460799@busstoptheatre.coop
SUMMARY:I was There
DESCRIPTION:The Mayworks Halifax Festival presents \nAn Audiovisual installation by Katie Toth and Mary-Dan Johnston\nFREE admission\n\nIt goes like this: the bank closes\, along with the grocery\, then the laundromat\, the club\, the pub\, the corner store where we bought popsicles and cartons of milk. The schools crumbled and were consolidated. Now\, standing on the same spot where I bought my first vodka cran\, underage\, there is thick gravel where years ago I felt linoleum\, softer\, sticking to the sole of my shoe.\nThe geography remains the same\, but the landscape changes\nI was there is an attempt to illuminate the psychogeography of a city that is often accused of being stuck in the past. This mixed-media installation combines photography\, oral history testimony and cartography to shed a light on what is lost in the process of gentrification.\n  \nLocation and Hours\nThis piece is presented in the lobby of The Bus Stop Theatre Co-op and can be experienced ahead or after any event presented at this location. I can also be experience between 10am and 4pm daily from May 8th to 10th. \nBiographies\nKatie Toth is an emerging audio artist and digital/audio journalist who has been published in VICE\, the Village Voice\, and NPR. Her first art piece\, which celebrated New York City’s public transit system\, was produced in collaboration with photographer Lara Atallah\, and displayed at The New York City Transit Museum’s community artist event Platform. \nMary-Dan Johnston is a writer\, researcher\, educator working at the intersections of the public and the private. Trained as an oral historian and qualitative researcher\, she is particularly interested in how the political economy of the Maritimes has shaped the embodied experiences of working people. Her writing has recently appeared in GUTS Canadian Feminist Magazine. Her art practice uses street photography to capture moments of tension and collaboration between individuals and the built environment. \n  \nPresented in partnership with the Bus Stop Theatre Cooperative and the StART Festival. \n \n 
URL:https://busstoptheatre.coop/event/i-was-there/
LOCATION:The Bus Stop Theatre\, 2203 Gottingen Street\, Halifax\, Nova Scotia\, B3K3B5\, Canada
CATEGORIES:Festival,Film,Mayworks Halifax,Visual Arts
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END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Halifax:20170504T190000
DTEND;TZID=America/Halifax:20170505T210000
DTSTAMP:20260418T185039
CREATED:20170410T171746Z
LAST-MODIFIED:20170415T015709Z
UID:3420-1493924400-1494018000@busstoptheatre.coop
SUMMARY:New Waterford Boy – A Ceilidh
DESCRIPTION:The Mayworks Halifax Festival presents \nA New Play by Richie Wilcox\nThis is a tribute to the Cape Breton man I never was and never will be. This is a tribute to Cape Bretoners who have the songs of miners and fisherman embedded into their hearts and souls whether they have set foot in a mine\, or cast a net\, or not. This is a night of storytelling to pay respect to the Cape Breton of my childhood\, with hope for the future. This is a tribute to the Cape Breton man I am and all the different types of Cape Breton man there can be. This is my Cape Breton … where I can be Rita MacNeil’s nephew for a week\, I can be a superhero and conquer a junior high dance and I can belt the tunes of Allister MacGillivray\, the Rankin Family and more songs we all know\, all night long. \nRichie Wilcox\nA multi-talented director/singer/actor whose work has been seen across Canada and toured internationally. He is an Artistic Associate for Theatre Outre where he’s directed UNSEX’d\, Castrati: An Electro Drag Opera\, Late Company and more. Highlights include directing Daniel MacIvor’s I\, Animal for Kazan Co-op and Gillian Clark’s Understudy. Wilcox is a Artistic Co-Producer of HEIST (formerly Angels & Heroes) where he most recently directed Girls! Girls! Girls!\, the award-winning The Princess Show\, Nation and How Do I Love Thee?  \nBuy Tickets Online\nAdmission = $15\nFestival Pass = $50 \n \n  \nPresented in partnership with the Nova Scotia Government & General Employees Union and the Province of Nova Scotia \n     
URL:https://busstoptheatre.coop/event/new-waterford-boy-a-ceilidh/
LOCATION:The Bus Stop Theatre\, 2203 Gottingen Street\, Halifax\, Nova Scotia\, B3K3B5\, Canada
CATEGORIES:Festival,Mayworks Halifax
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END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Halifax:20170502T193000
DTEND;TZID=America/Halifax:20170510T203000
DTSTAMP:20260418T185039
CREATED:20170410T171058Z
LAST-MODIFIED:20170415T015805Z
UID:3417-1493753400-1494448200@busstoptheatre.coop
SUMMARY:The View From Her(e)
DESCRIPTION:The Mayworks Halifax Festival presents \nA New Dance Piece by Liliona Quarmyne\nChoreographed by Liliona Quarmyne\n Featuring Liliona Quarmyne\, Jacinte Armstrong & Sarah Rozee \nIs it possible to maintain the abstraction of contemporary art and still share a clear message? Or does one have to be compromised for the other? Choreographer Liliona Quarmyne is deeply curious about pushing the boundaries between art and activism\, and about the give and take between the two. In The View from Her(e)\, the audience will join her and dancers Jacinte Armstrong and Sarah Rozee to explore how art and activism can talk to each other. \n2 Part Presentation\nPhase 1 (participatory presentations) – May 2 & 3\nPhase 2 (final performances) – May 9 & 10 \nThis interactive\, multi-disciplinary dance piece takes place in two phases\, and audience members are invited to attend one or both. \nPhase 1 performances are multi-disciplinary and interactive\, and audience members are invited to directly become a part of the creative process. \nPhase 2 performances are the end result of the process where the dancers share reworked material based on the discoveries of Phase 1. \nADMISSION PRICES\nPhase 1 = $10\nPhase 2 = $15\nBoth = $20 \nFestival Pass (all Mayworks shows) = $50 \nBuy Tickets Online\n \nPresented in partnership with the Nova Scotia Nurses’ Union
URL:https://busstoptheatre.coop/event/the-view-from-here/
LOCATION:The Bus Stop Theatre\, 2203 Gottingen Street\, Halifax\, Nova Scotia\, B3K3B5\, Canada
CATEGORIES:Dance,Festival,Mayworks Halifax
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END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20170502
DTEND;VALUE=DATE:20170505
DTSTAMP:20260418T185039
CREATED:20170410T165612Z
LAST-MODIFIED:20170415T015845Z
UID:3413-1493683200-1493942399@busstoptheatre.coop
SUMMARY:Untitled (Applying Joint Compound)
DESCRIPTION:The Mayworks Halifax Festival presents \nVideo installation / performance by Michael Di Risio\nFREE admission \nUntitled (Applying Joint Compound) (2016) is a video-installation and performance that attempts to make visible the labour involved in maintaining public spaces. Though often unseen and undervalued\, maintenance work is a fundamental component of the production of social space\, in turn supporting other forms of collective work and cultural production. Through a reflection on the nuances of this work\, the viewer is invited to consider what is involved in the production of the spaces that they typically inhabit. \nNOTE: While the performance will take place on May 2nd at 7pm\, the video installation will remain in the Bus Stop Theatre lobby from May 2nd to May 4th. \nMichael Di Risio\nAn artist and writer currently based in Kingston\, ON. His writing has appeared in Art Papers\, Afterimage\, Fuse Magazine\, C Magazine and PUBLIC Journal\, among others\, where he reflects on art as a social force. He has participated in recent exhibitions at the Workers Arts and Heritage Centre\, Artcite and Museum London\, with forthcoming exhibitions at the Thames Art Gallery and the Agnes Etherington Art Centre. He holds an MFA from the University of Windsor and is currently the Artistic Director of Modern Fuel Artist-Run Centre. \n  \nPresented in partnership with the Bus Stop Theatre Co-op
URL:https://busstoptheatre.coop/event/untitled-applying-joint-compound/
LOCATION:The Bus Stop Theatre\, 2203 Gottingen Street\, Halifax\, Nova Scotia\, B3K3B5\, Canada
CATEGORIES:Festival,Film,Mayworks Halifax,Performance Arts
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BEGIN:VEVENT
DTSTART;TZID=America/Halifax:20170501T190000
DTEND;TZID=America/Halifax:20170501T200000
DTSTAMP:20260418T185039
CREATED:20170410T164846Z
LAST-MODIFIED:20181004T135613Z
UID:3409-1493665200-1493668800@busstoptheatre.coop
SUMMARY:Spring Break From Capitalism
DESCRIPTION:The Mayworks Halifax Festival presents \nA Reception for the Common Good\nFREE admission and food! \nTake a break after the May Day march to celebrate the renewal of life\, and the renewal of society into a better one! \nRad Slushies\, Bread & Roses ice cream cones\, treats and more await you at the Bus Stop Theatre Co-op. \nHip Hip Hurray – It’s May Day!! \n  \nPresented in partnership with Dee Dee’s Ice Cream
URL:https://busstoptheatre.coop/event/spring-break-from-capitalism/
LOCATION:The Bus Stop Theatre\, 2203 Gottingen Street\, Halifax\, Nova Scotia\, B3K3B5\, Canada
CATEGORIES:Community Events,Festival,Mayworks Halifax
GEO:44.6531707;-63.585073
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END:VEVENT
END:VCALENDAR